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Cranbrook Academy of Art

 Organization

Found in 4 Collections and/or Records:

Cranbrook Photograph Collection

 Collection
Identifier: 2020-03
Abstract Cranbrook history dates back to 1904 when George and Ellen Booth purchased land in Bloomfield Hills, MI for their home. The next five decades saw the majority of this land transformed into an educational, artistic, and scientific community. In the early 1970s, a major reorganzition created the Cranbrook Educational Community. More than a century later, in 2021, this Community comprises five program areas: Cranbrook Schools, Cranbrook Art Academy, Cranbrook Art Museum, Cranbrook Institute of...
Dates: circa 1830-; Majority of material found within 1931 - 1970

Thomas Paul Sheffield Papers

 Collection
Identifier: 2015-05
Abstract After serving as an ensign in the U.S. Naval Reserve, Thomas Paul Sheffield returned to the University of Washington to study art under Ed Rossbach, and received his Bachelor of Science in 1948. Rossbach, a Cranbrook Academy of Art graduate, recommended Sheffield to the Academy’s registrar, Wally Mitchell. While Sheffield enrolled in Cranbrook’s department of ceramics under Maija Grotell in 1948 under the G.I. Bill, he changed his major focus to painting with Zoltan Sepeshy, and received his...
Dates: 1953 - 1977

J. Robert F. and Pipsan Saarinen Swanson Papers

 Collection
Identifier: 1990-01
Abstract Jons Robert (Bob) Ferdinand Swanson (1900-1981) graduated from the University of Michigan School of Architecture in 1924, where he had and become friends with Henry Scripps Booth. In 1924, they established the architectural firm, Swanson and Booth. In 1927, the partnership dissolved and Bob established his own practice. Eva Lisa (Pipsan) Saarinen (1905-1979), daughter of Eliel and Loja Saarinen, studied weaving, ceramics, and fabric design at University of Helskini. She married Bob in 1926...
Dates: 1900 - 1983

Suzanne E. Vanderbilt Papers

 Collection
Identifier: 1998-02
Abstract Suzanne E. Vanderbilt was an industrial designer at General Motors, hired as a “Damsels of Design”, a pioneering group of women automobile designers hired by Harley Earl (VP of Design) in the mid-1950s. While there, she became the first female assistant designer and developed two patents relating to automotive safety and ergonomics, among other accomplishments. From 1963-1965, General Motors granted Ms. Vanderbilt a leave to study at the Cranbrook Academy of Art (CAA), where she earned a...
Dates: 1924-1994; undated