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Sculpture

 Subject
Subject Source: Library of Congress Subject Headings

Found in 44 Collections and/or Records:

"Acrobats" Sculpture by Ken Isaacs

 Digital Image
Identifier: 202101_66_11_01

Newell Hillis Arnold Papers

 Collection
Identifier: 2005-09
Abstract Newell Hillis Arnold was an architect and sculptor renowned for his work in religious and symbolic subject matter. He contributed sculptures to many churches and civic buildings in the Midwest, exhibited widely throughout the United States, and participated in national competitions. Deaf from infancy, Arnold developed his artistic abilities from an early age. After receiving his bachelor’s degree in architecture from the University of Minnesota and attending the Minneapolis School of Art,...
Dates: 1935 - 1976

George Gough Booth Papers

 Collection
Identifier: 1981-01
Abstract The collection documents the life and work of George Gough Booth, a renowned advocate of the arts, and a great philanthropist whose crowning achievement was the establishment of Cranbrook Educational Community. He was also one of the nation's leading newspapermen in the first half of this century. It includes biographical materials including legal documents, travel itineraries, talks and writings, and the financial and business records of the Cranbrook Press. It documents his working life...
Dates: 1864 - 1949

Kate Thompson Bromley Papers

 Collection
Identifier: 1981-04
Abstract Kate Agnes Thompson married Frank Latham Bromley on May 2, 1900, in Detroit. They moved to Bloomfield Hills and, as neighbors, became ensconced in the Cranbrook community. Kate’s personal interests centered in the arts, and she became very good friends with Carl and Olga Milles, as well as with other Cranbrook personalities. The collection consists of photocopies of excerpts from the diaries of Kate Thompson Bromley. The diary entries document Bromley’s association with Cranbrook...
Dates: 1916 - 1955

William J. and Jane Comfort Brown Papers

 Collection
Identifier: 1995-23
Abstract William Joseph Brown attended Cranbrook Academy of Art in the summer of 1946 under the G.I. Bill. He received his B.F.A. in May 1949; and his M.F.A. the following year. His primary focus was sculpture and metalsmithing and he studied under Jon Johnson, William McVey, Bernard “Tex” Schiewitz, Ted Luderowski and Richard Thomas. After leaving Cranbrook in 1950, he worked as the Assistant Director of the Flint Institute of Arts, was Design Instructor at the University of Delaware (1951-1956) and...
Dates: 1979 - 1995

Christ Church Cranbrook Records

 Collection
Identifier: 1992-01
Abstract In 1923, George Gough Booth wrote to the Rev. Samuel Simpson Marquis with his ideas for building an Episcopal church and school on the Cranbrook estate to serve the needs of the growing Bloomfield Hills community. Booth would fund the construction of the church and provide an endowment for its maintenance. After obtaining the agreement of Bishop Herman Page, hiring and architect and a contractor, a groundbreaking ceremony took place on July 5, 1925. Christ Church Cranbrook was consecrated on...
Dates: 1923 - 2002

Color Sculpture of Triangles

 Digital Image
Identifier: 202101_66_23_01

Correspondence – to Carl Milles, 1935 - 1939

 File — Box 1, Folder: 6
Collection Scope From the Collection:

The bulk of this collection consists of correspondence between Arnold and Carl Milles (1935-1955). Most of the Milles correspondence is original, while the Arnold correspondence is copied from the original.

Dates: 1935 - 1939

Correspondence – to Carl Milles, 1942-1947, undated

 File — Box 1, Folder: 8
Collection Scope From the Collection:

The bulk of this collection consists of correspondence between Arnold and Carl Milles (1935-1955). Most of the Milles correspondence is original, while the Arnold correspondence is copied from the original.

Dates: 1942-1947, undated

Correspondence – to Carl Milles, 1940 - 1941

 File — Box 1, Folder: 7
Collection Scope From the Collection:

The bulk of this collection consists of correspondence between Arnold and Carl Milles (1935-1955). Most of the Milles correspondence is original, while the Arnold correspondence is copied from the original.

Dates: Other: 1940 - 1941