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Sculpture

 Subject
Subject Source: Library of Congress Subject Headings

Found in 5 Collections and/or Records:

Newell Hillis Arnold Papers

 Collection
Identifier: 2005-09
Abstract Newell Hillis Arnold was an architect and sculptor renowned for his work in religious and symbolic subject matter. He contributed sculptures to many churches and civic buildings in the Midwest, exhibited widely throughout the United States, and participated in national competitions. Deaf from infancy, Arnold developed his artistic abilities from an early age. After receiving his bachelor’s degree in architecture from the University of Minnesota and attending the Minneapolis School of Art,...
Dates: 1935 - 1976

Correspondence – to Carl Milles, 1940 - 1941

 File — Box 1, Folder: 7
Collection Scope From the Collection: The bulk of this collection consists of correspondence between Arnold and Carl Milles (1935-1955). Most of the Milles correspondence is original, while the Arnold correspondence is copied from the original.
Dates: Other: 1940 - 1941

Correspondence – to Carl Milles, 1942-1947, undated

 File — Box 1, Folder: 8
Collection Scope From the Collection: The bulk of this collection consists of correspondence between Arnold and Carl Milles (1935-1955). Most of the Milles correspondence is original, while the Arnold correspondence is copied from the original.
Dates: 1942-1947, undated

Nancy Leitch Papers

 Collection
Identifier: 2007-04
Abstract In 1943, Leitch attended Cranbrook to study sculpture with Carl Milles, and was also a student of Maija Grotell, Howard Dearstyne, and Ernest Scheyer. She counted Jon Johnson, Margueritte Kimball, Signe Midelfars, Ruth Robinson, George Koren, Frances Ericsson, and Bob Lohman among her friends during this time. After finishing her first year in the program she was asked to return as Maija Grotell’s studio assistant, a position that she treasured and reflected upon often in her later years. Two...
Dates: 1915 - 1994; Majority of material found within 1930 - 1994

Thomas Paul Sheffield Papers

 Collection
Identifier: 2015-05
Abstract After serving as an ensign in the U.S. Naval Reserve, Thomas Paul Sheffield returned to the University of Washington to study art under Ed Rossbach, and received his Bachelor of Science in 1948. Rossbach, a Cranbrook Academy of Art graduate, recommended Sheffield to the Academy’s registrar, Wally Mitchell. While Sheffield enrolled in Cranbrook’s department of ceramics under Maija Grotell in 1948 under the G.I. Bill, he changed his major focus to painting with Zoltan Sepeshy, and received his...
Dates: 1953 - 1977