Art -- Study and teaching
Subject Source: Library of Congress Subject Headings
Found in 4 Collections and/or Records:
Abstract In 1927 George G. Booth established the Cranbrook Academy of Art as an educational environment where students could come and learn from master artists in residence. The Academy functioned as a department under the Cranbrook Foundation and included painting, architecture, sculpture, ceramics and decorative design. The first Academy students were taken in early 1930. Eliel Saarinen was the first President (1932-1946). In 1942, with the opening of the Museum and Library, the Academy became an...
Dates: Majority of material found within 1942 - 1973
Abstract The Cranbrook Academy of Arts Women’s Committee was founded on February 11, 1966 as the social arm of the Friends of the Academy (the Museum’s new membership program). The committee’s purpose was to promote and undertake activities and projects that would further the welfare of the Academy and the Museum. Throughout nearly forty years the committee hosted numerous events, programs, and fundraising projects until disbanded in 2002. The bulk of the collection reflects primarly the Women's...
Dates: 1966 - 2006
Abstract The Cranbrook Foundation was established on November 28, 1927, by George Gough Booth and Ellen Scripps Booth. It was a trust and administrative entity to endow and support the six institutions that George and Ellen had founded: Brookside School Cranbrook, Christ Church Cranbrook, Cranbrook Academy of Art, Cranbrook Institute of Science, Cranbrook School, and Kingswood School Cranbrook. It's initial mission was, "to add to and strengthen the educational and cultural facilities within the...
Dates: 1926 - 1973
Abstract In 1943, Leitch attended Cranbrook to study sculpture with Carl Milles, and was also a student of Maija Grotell, Howard Dearstyne, and Ernest Scheyer. She counted Jon Johnson, Margueritte Kimball, Signe Midelfars, Ruth Robinson, George Koren, Frances Ericsson, and Bob Lohman among her friends during this time. After finishing her first year in the program she was asked to return as Maija Grotell’s studio assistant, a position that she treasured and reflected upon often in her later years....
Dates: 1915 - 1994; Majority of material found within 1930 - 1994