Scope and Contents From the Sub-Series:

Covers Isaacs' work as Director of Graduate Studies, including Stanley Tigerman's dismissal and supervision of the John Etenza scholarship. It also documents projects not tied to single semesters or classes and contains work by Isaacs’ students. Overlap of content amongst Sub-subseries occurs, because of how Isaacs himself filed the material.

Scope and Contents From the Sub-Series:

Documents work by Ken Isaacs that was done independent of UIC but completed during his time there. It includes exhibit proposals, contest entries and correspondence.

Scope and Contents From the Sub-Series:

Covers Isaacs' work as Director of Graduate Studies, including Stanley Tigerman's dismissal and supervision of the John Etenza scholarship. It also documents projects not tied to single semesters or classes and contains work by Isaacs’ students. Overlap of content amongst Sub-subseries occurs, because of how Isaacs himself filed the material.

Scope and Contents From the Series: Includes correspondence with art historian Victor Margolin, with Wilma Keppel about grid beam construction, an oral history project conducted by Leslie Coburn, and correspondence regarding exhibits, including the rebuilding of the Knowledge Box for the Learning Modern show in 2009 and its inclusion in the Hippie Modernism show in 2015. Presentation binders collect thematic or retrospective materials put together by Isaacs and curatorial partners to represent different aspects of his work for...

Scope and Contents From the Sub-Series:

Covers Isaacs' work as Director of Graduate Studies, including Stanley Tigerman's dismissal and supervision of the John Etenza scholarship. It also documents projects not tied to single semesters or classes and contains work by Isaacs’ students. Overlap of content amongst Sub-subseries occurs, because of how Isaacs himself filed the material.

Scope and Contents From the Sub-Series:

Covers Isaacs' work as Director of Graduate Studies, including Stanley Tigerman's dismissal and supervision of the John Etenza scholarship. It also documents projects not tied to single semesters or classes and contains work by Isaacs’ students. Overlap of content amongst Sub-subseries occurs, because of how Isaacs himself filed the material.

Scope and Contents From the Series:

Comprises Isaacs’ personal reference library, used by him for in-house reference as well as in press kits. For business, he produced and kept documentation files including drawings, plans and photographs about his designs and copies of any media coverage.