Subject Source: Library of Congress Subject Headings
Found in 9 Collections and/or Records:
Abstract Margaret Elleanor Biggar was a metalworker and teacher, working out of her own studio in Fairhope, Alabama, for most of her career. From 1929-1931, Biggar assisted renowned English metalsmith, Arthur Nevill Kirk, at the Cranbrook Academy of Art as a paid apprentice, working primarily as the polisher. In July 1939, Biggar and her partner, Eloise Hooker, set up their first “metalcraft” studio in which they taught classes in working silver, copper and brass. Their classes and studio were...
Dates: 1929 - 1973
Abstract William Joseph Brown attended Cranbrook Academy of Art in the summer of 1946 under the G.I. Bill. He received his B.F.A. in May 1949; and his M.F.A. the following year. His primary focus was sculpture and metalsmithing and he studied under Jon Johnson, William McVey, Bernard “Tex” Schiewitz, Ted Luderowski and Richard Thomas. After leaving Cranbrook in 1950, he worked as the Assistant Director of the Flint Institute of Arts, was Design Instructor at the University of Delaware (1951-1956) and at...
Dates: 1979 - 1995
Abstract In 1923, George Gough Booth wrote to the Rev. Samuel Simpson Marquis with his ideas for building an Episcopal church and school on the Cranbrook estate to serve the needs of the growing Bloomfield Hills community. Booth would fund the construction of the church and provide an endowment for its maintenance. After obtaining the agreement of Bishop Herman Page, hiring and architect and a contractor, a groundbreaking ceremony took place on July 5, 1925. Christ Church Cranbrook was consecrated on...
Dates: 1923 - 2002
Abstract In 1927 George G. Booth established the Cranbrook Academy of Art as an educational environment where students could come and learn from master artists in residence. The Academy functioned as a department under the Cranbrook Foundation and included painting, architecture, sculpture, ceramics and decorative design. The first Academy students were taken in early 1930. Eliel Saarinen was the first President (1932-1946). In 1942, with the opening of the Museum and Library, the Academy became an...
Dates: Majority of material found within 1942 - 1973
Abstract Cranbrook history dates back to 1904 when George and Ellen Booth purchased land in Bloomfield Hills, MI for their home. The next five decades saw the majority of this land transformed into an educational, artistic, and scientific community. In the early 1970s, a major reorganzition created the Cranbrook Educational Community. More than a century later, in 2021, this Community comprises five program areas: Cranbrook Schools, Cranbrook Art Academy, Cranbrook Art Museum, Cranbrook Institute of...
Dates: circa 1830-; Majority of material found within 1931 - 1970
Abstract Margueritte Eleanor Kimball was born on October 19, 1906, in Clinton, Massachusetts. In 1942 Kimball joined the Cranbrook Academy of Art as a student and immediately began serving as the Academy's financial secretary. A beloved and respected member of the Cranbrook community, Kimball used her position to interact with and collect various materials relating to the Academy's faculty and students. Kimball retired in 1968, nevertheless spending her remaining years in Boston as an exhibiting artist....
Dates: Majority of material found in circa 1941-1996; undated
Abstract Arthur Nevill Kirk was born on July 20, 1881, in Lewes, Sussex, England. He taught as a metalcraft instructor before George Gough Booth persuaded him to move to the United States. Kirk arrived in September 1927 and began designing ecclesiastical pieces for Christ Church Cranbrook, teaching at Cranbrook School (1927-1929), and two years later directing the the metals shop of the Academy of Art and subsequently the Silver Department. When economic depression caused the art shops at the Academy...
Dates: 1873 - 2015
Abstract Richard Thomas graduated from the Cranbrook Academy of Art in May 1948 with an MFA in painting, subsequently re-establishing the Metalsmithing Department at the Academy and becoming Head for thirty-six years. He also served in other administrative capacities for the Academy, including Dean of Students (1951-50), Registrar (1962-65), Administrative Assistant to the President (1965-66), and Dean of Students (1968). His chief interest was liturgical art, fabricating around 300 objects for...
Dates: 1930 - 1984; Majority of material found within 1950 - 1978
Abstract Suzanne E. Vanderbilt was an industrial designer at General Motors, hired as a “Damsels of Design”, a pioneering group of women automobile designers hired by Harley Earl (VP of Design) in the mid-1950s. While there, she became the first female assistant designer and developed two patents relating to automotive safety and ergonomics, among other accomplishments. From 1963-1965, General Motors granted Ms. Vanderbilt a leave to study at the Cranbrook Academy of Art (CAA), where she earned a Master...
Dates: 1924-1994; undated