Subject Source: Library of Congress Subject Headings
Found in 10 Collections and/or Records:
Abstract In 1927 George G. Booth established the Cranbrook Academy of Art as an educational environment where students could come and learn from master artists in residence. The Academy functioned as a department under the Cranbrook Foundation and included painting, architecture, sculpture, ceramics and decorative design. The first Academy students were taken in early 1930. Eliel Saarinen was the first President (1932-1946). In 1942, with the opening of the Museum and Library, the Academy became an...
Dates: Majority of material found within 1942 - 1973
Abstract Cranbrook history dates back to 1904 when George and Ellen Booth purchased land in Bloomfield Hills, MI for their home. The next five decades saw the majority of this land transformed into an educational, artistic, and scientific community. In the early 1970s, a major reorganzition created the Cranbrook Educational Community. More than a century later, in 2021, this Community comprises five program areas: Cranbrook Schools, Cranbrook Art Academy, Cranbrook Art Museum, Cranbrook Institute of...
Dates: circa 1830-; Majority of material found within 1931 - 1970
Abstract Kingswood School Cranbrook was a day and boarding school for girls beginning with the seventh grade and continuing through the twelfth grade. Kingswood School was established through a deed of Trust executed on July 24, 1930, between the Cranbrook Foundation and a Board of Trustees consisting of William T. Barbour, Ralph Stone, Luman W. Goodenough, Alvan Macauley, Clarence H. Booth, James Inglis, and Sidney D. Waldon. The Board selected Gladys Turnbach, of Miss Hall’s School in Pittsfield,...
Dates: 1930 - 1985
Abstract In the summer of 1951, Dorothy entered Cranbrook Academy of Art under the VA bill and studied weaving with Marianne Strengell. She was selected for the student traveling exhibition 1952-1953 and studied at The Textile Institute of Boras - Stockholm in the fall of 1953. She stayed to study Arts and Crafts and therapeutic work in Europe for the next six months. Dorothy returned to the United States in 1954 and resided in Detroit. She continued to exhibit her textiles throughout the 1950s, winning...
Dates: 1949 - 1959
File — Box 4, Folder: 10
Collection Scope From the Collection: The collection consists chiefly of correspondence, photographs, early writings of Strengell and published works of her father, Gustaf Strengell, textile samples and her work in the Philippines. SERIES I: Personal (1620-1998) contains materials relating to Strengell’s family, specifically several works by her father, Gustaf Strengell, in Finnish. In addition there are notebooks of her early drawings and writings, and an illustrated story written by daughter Sandra Dusenbury at age...
Dates: 1986 - 1993
Abstract In 1929, Ingvarsson came to Cranbrook to work as a weaver at Studio Loja Saarinen. In 1932, she returned to Sweden with Maja Andersson Wirde to attend a course for weaving instructors at Handarbetets Vänner (The Friends of Handicraft). She returned to work for Studio Loja Saarinen in 1934, and again in 1941. Ingvarsson was a weaving instructor in her private studio in Highland Park (1935-1937) and in Detroit (1937-1951). During the summers of 1946, 1948, and 1951, she returned to Cranbrook...
Dates: 1932 - 1933
Abstract In 1952, Loja Saarinen donated a half size May Festival tapestry to the new school in the village of Bobäck, less than a mile from Hvitträsk. The tapestry depicts the center square of the tapestry which hangs in the Dining Room at Kingswood School. The tapestry remained in the school for more than 60 years until the school underwent a major reconstruction project leaving no space for the tapestry. A village association decided to instigate a ‘Save the tapestry of Loja Saarinen’ project with...
Dates: 2011 - 2013
Abstract Marianne Strengell, daughter of Finnish architect Gustaf Strengell and interior designer Anna Wegelius. Prior to becoming an instructor at Cranbrook in 1937 on Eliel Saarinen's invitation, Strengell held several positions in Scandinavia, designing rugs, textiles and interiors. In 1942, when Loja Saarinen retired, Strengell replaced her as head of the Department of Weaving and Textile Design. She developed a curriculum that emphasized weave structure, versus the more pictorial imagery used by...
Dates: 1620 - 1998; Majority of material found within 1928 - 1995
Abstract Finnish architect, Gottlieb Eliel Saarinen was born August 20, 1873. In 1904 Saarinen married artist Minna Carolina Mathilde Louise “Loja” Gesellius (b. 1879). The Saarinen's daughter Eeva Lisa “Pipsan” was born in Helsingfors, Finland on 31 March 1905 and their son Eero was born in Kyrkslaett, Finland on 20 August 1910. In 1923 Eliel met the Detroit newspaper magnate George Gough Booth, who was to become his chief patron in America. At Booth’s invitation, Saarinen moved his practice to...
Dates: 1880 - 1989
Abstract During the summer of 1941, Robert Sailors studied weaving at Cranbrook Academy of Art, and in 1942, Sailors received a scholarship to attend Cranbrook where he primarily studied weaving with Marianne Strengell. In June 1944, Sailors became the Assistant Director and Instructor in the Weaving Department, a position he held for two years. During that time, he was responsible for instructing weaving students on the power loom which was installed at Cranbrook in 1945. In 1947, Sailors left...
Dates: 1989 - 1995